
Armenian artist Kevork Mourad presents his exhibition Sailing to Nowhere, currently on view at the gallery, to discover on NAM-ArmeNews.


From January 23 at the Centre Wallonie-Bruxelles / Paris, the exhibition Deep Fields brings together artists who explore deep fields, from distant desert landscapes to unstable, mobile fields of particles. The show invites us to traverse the territories of contemporary physics and investigate the margins of the visible, encouraging us to step outside the spaces of control.
Among them, Marina Gioti presents her works KATŌ KO∑MO∑ (Kato Kosmos) – Underworld, the result of an underwater exploration conducted in the Bay of Eleusis (Greece).
📍Centre Wallonie-Bruxelles | 127-129 rue Saint-Martin 75004 Paris
📅 January, 23 - March, 24 | Monday-Saturday 11 am-7pm & Thursday 2-9 pm


Louvre-Lens dedicates, for the first time, a major exhibition to the Gothic movement, from the 12th to the 21st century, highlighting its evolution and diversity. Within this context, Vivian Van Blerk’s Hyacinth Vase is on display until January 26 alongside works from the Louvre’s collections and by contemporary artists, underscoring the dialogue between heritage and contemporary creation.
https://www.louvrelens.fr/en/exhibition/gothicisms/: Vivian Van Blerk @LouvreLens / last days
Rut Blees Luxemburg’s video work London Winterreise is presented at Al Riwaq Art Space in Manama, Bahreïn, as part of the exhibition In the Lapse of Tides, curated by Effat Abdullah Fadag.

On the occasion of the release of his new photography books, Tragèdia and Brigantinas (published by L’Artiere), Nicola Lo Calzo was interviewed by Harper’s Bazaar Italia.
https://www.harpersbazaar.com/it/cultura/fotografia/a69675775/nicola-lo-calzo-fotografo-intervista/

Rut Blees Luxemburg, together with Harriet Min Zhang (MA Curating Contemporary Art), co-curated the exhibition From Allegory to Algorithm for the Jimei x Arles International Photo Festival, presenting works by 18 alumni of the Royal College of Art’s Photography programme in London.

Harmattan / Togo Photo Festival aims to stimulate imagination and visual research through photography, which becomes a means of charting new paths in the imagination that characterises West Africa, initiating new dialogues between ancient traditions and future visions, and interacting with an increasingly vibrant art scene. Among the 15 Togolese and international artists, Nicola Lo Calzo is participating in the festival with his series TCHAMBA, created in Togo in 2017.
The festival will take place in Lomé from 12 to 30 December at the Agnassan – Paul Ahyi Museum, the Artemis Gallery, the Edith Equagoo Garden and the Palais de Lomé. In 2026, the exhibition will become itinerant and will be presented from February to April 2026 in Lugano/Paradiso, Switzerland, at Focus Artphilein, then in Milan, Italy, at Loro Milano in May 2026.
📍Togo, Lomé. Agnassan - Musée Paul Ahyi | Galerie Artemis | Jardin Edith Equagoo | Palais de Lomé
📅 December 12-30, 2025
📍Switzerland, Lugano/Paradiso. Focus Artphilein
📅 February - April 2026
📍Italy, Milano. Loro Milano
📅 May 2026

As part of the Brazil-France Season 2025, Nego Fugido by Nicola Lo Calzo is a travelling monographic exhibition presented at the Ygrec-ENSAPC Art Centre in Aubervilliers, the Alliance Française in Brasilia, the Photo Rio festival and now at MAFRA in Salvador de Bahia. The exhibition offers a sensitive immersion in a celebration of freedom, where images become a means of resistance and reappropriation. Produced in the Quilombola community of Acupe, in Bahia, Brazil, the annual staging of Nego Fugido combines ritual and performance to reconstruct, from the perspective of the descendants of slaves, the struggle for black emancipation.

Chantal Regnault's works are on display at the Getty Museum in Los Angeles as part of Queer Lens: A History of Photography, an exploration of the history of photography through a resolutely queer lens. The exhibition brings together a selection of works highlighting artists and subjects from the LGBTQ+ community, in order to give visibility to those who have shaped art and culture through the practice of photography, and to demonstrate that photography has been, and remains, a powerful tool for representing queer experiences.

Soy Fuego was born out of the artist's personal experiences and her extensive travels throughout Latin America - from the Colombian Amazon to the volcanoes of Michoacán, from the skies of the Atacama Desert to the forests of Veracruz - contexts in which she established close ties with local communities, sharing knowledge and rituals that shape a deeper perception of nature and its cycles.
📅 Prats Nogueras Blanchard, Madrid
📍May 8 - July 26, 2025
"Itvan Kebadian, censuré dans la rue, encensé en galerie" by Richard Tassart
Itvan Kebadian paints in the street. For a long time. For more than 20 years with the TWE crew, of which he is one of the two founders. The crew's graffiti has certainly left its mark on the history of hip-hop culture
and street art in France. With the members of the crew, he has painted superb frescoes on the walls.
Intramuros, Paris, Nice, Bayonne and many others. And so many other suburbs.
And even on the neglected walls of our European neighbours.
Since 2018, Itvan Kebadian has been painting scenes of upheaval in collaboration with other graffiti artists,
riots, insurrection, revolt between the forces of repression and young people unhappy with the legacy left by their
the legacy left by their elders.
A society dominated by the pursuit of profit, growing inequality, wars that reflect the clash of imperialisms, the exacerbation of nationalism…
In short, a world that does not go round and that must be changed.
On authorized walls or walls on which painting is tolerated, Itvan K. spray-paints in black on a white background "the final struggle", the ever-renewed tragedy of Good against Evil.
spray-painted in black on a white background "the final struggle", the ever-renewed tragedy of Good vs. evil. His warriors of the Apocalypse, guardians of the Old World, have no face, no age, no country either.
His 'insurgents', in the same way, are faceless men, symbols of men and women men and women who refuse to give in to the forces that crush them and fight for justice and a better world. justice and a better world.